Evolution of the Grey Fox

The Grey Fox talks openly and honestly about his evolving blog: seven years old and with a slightly broader remit of “ageing with style”:

Style is not just how you look and what you wear: it’s how you live – where you go on holiday, what car you drive, the watch you wear, what food and drink you like, what you do in your spare time, how you treat others, what books you read.

Always worth a read.

A place to live and work – late addition

A late, but essential,  addition to the previous post.

Apparently, singer Tori Amos is selling her Ballywilliam House, her home in Kinsale, Ireland.

I feel I could both live and work quite happily there.

I love Georgian architecture and this looks amazing. I particularly like how the lawn rolls up to the front door.

The asking price is €1.45 million. More details here.

According to Neil Gaiman, in a recent tweet, “This is where I finished American Gods, where I wrote a lot of Anansi Boys, and where I got flu and completely failed to write any of the Graveyard Book. It’s the most peaceful and magical place. I hope it finds a new person who cherishes it.”

Beyond the To Do list – Nicholas Bate

Yet another essential Basics 7 list from Nicholas Bate:

Tip 1: ensure it captures not only what you have to do but also what you want to do.

Tip 2: ensure it also addresses a world beyond work.

Tip 3: measure productivity by pay-off not simply the tick: go beyond ease, urgency and what’s next…

Read the rest, here.

 

Photo by Glenn Carstens-Peters on Unsplash

A place to live and work

Back in the century of 9 to 5, there was Home, there was the Commute and there was the Office.

In the age of the sovereign professional, the Commute often disappears. Home and Office become one.

According to the UK’s Office of National Statistics, 4.3 million people now work from home. That’s 13.6% of the total workforce (both employed and self-employed). However, the data suggests that half (50.3%) of all self-employed people work from home, either wholly or using home as a base from which to visit clients.

That’s a lot of home-offices.

But, where do you start? You’ve shrugged off the shackles and the corporate comfort blanket. You’ve broken free from the gilded cage. How do you carve a place to work from your place to live? Here are a few considerations and inspirations.

Considerations

  1. How much space do you need? Maybe, just a quiet desk will do,  but will clients visit you? Do you need a separate work-space (studio, treatment room, consulting room, recording studio, etc.)? And a waiting room,too? Some rooms may have a dual business/domestic purpose, but will your partner welcome the 50″ screen in the new dining/meeting room?
  2. Seasons and services. Separate garden rooms and garage conversions are popular, with the advantage of still maintaining a degree of separation between work-life and life-life. But, consider if they will work in all seasons: from the dead of winter to the heat of summer. Do you have adequate power (including the need for heating) and internet access?
  3. Legals, tax and admin. How will working from home affect the following:
    1. Does your mortgage or tenancy agreement allow working from your home?
    2. What about property tax? If you work alone from a home-office, this may be allowable under domestic “poll tax”, but if you have a studio or treatment room etc, you might yourself liable for business rates. Check before you begin.
    3. Insurances. How does your business affect your building and contents insurances? Do you need public liability insurance? What about a risk-assessment of your home if you will have clients visiting?
    4. This government web page gives an overview, here.
  4. Peace and privacy. Can you work uninterrupted? Even during the school holidays? Kids, dogs and washing machines all lose their charm when they are a regular soundtrack to your conference calls. And, even the best prepared television interviews can be derailed, as Professor Robert Kelly discovered in this BBC News interview:

Inspirations

The home office is hardly new. Every working farmhouse is a head office. Therapists and tutors have always worked from home to some degree. All have adapted to the business needs of their owners.

Try these famous locations for inspiration:

Venice

Take a punt, or a putt-putt down the Grand Canal. Those elegant palazzos were built, business-first, by the wealthy merchants of the city-state as home and office.

On the water-level was the impressive canal-side entrance and a ground floor of storerooms and offices for transacting daily business. The next floor up (first floor for Brits, second for Americans) was the piano nobile or grand floor, lavishly decorated and used for entertaining. The floor above was the family’s private apartments.

Photo by MURUCUTU on Unsplash

Sir John Soane’s House / Museum

During his life, the architect Sir John Soane (Bank of England, Dulwich Picture Gallery) turned his house into a museum and source of inspiration for his draftsmen and clients. It was home, office and collection.

Soane moved to 12 Lincoln’s Inn Fields in 1792 and, as his collection grew, he acquired numbers 13 and 14 , remodelling the houses and stables to accommodate an innovative, hinged Picture Gallery (that houses Hogarth’s A Rake’s Progress) and more space for the collection. He negotiated an act of parliament for the house to be preserved as it was when he died.

If you’re in London it’s worth a visit – for research purposes, obviously. It is a glorious clutter, muddle and inspiration.

In the basement is the sarcophagus of Seti I, of which Wikipedia says:

After the Seti sarcophagus arrived at his house in March 1825, Soane held a three-day party, to which 890 people were invited, the basement where the sarcophagus was housed was lit by over one hundred lamps and candelabra, refreshments were laid on and the exterior of the house was hung with lamps. Among the guests were the then Prime Minister Robert Jenkinson, 2nd Earl of Liverpool and his wife, Robert PeelPrince Augustus Frederick, Duke of SussexSamuel Taylor Coleridge, J.M.W. Turner, Sir Thomas Lawrence, Charles Long, 1st Baron FarnboroughBenjamin Haydon as well as many foreign dignitaries.

Image: Sir John Soane’s Museum

Sigmund Freud Museum, Vienna

By contrast, the apartments where Freud lived and worked from 1891 to 1938 are more modest. Freud moved there with his family when it was a new-build. As his practice grew, he took on the second apartment on the floor as his practice. Today, the living space is a museum and exhibition, with little furniture, but his consulting room and waiting room are furnished much as they would have been in his time. The famous couch, however, is in London.

Image: Vienna Convention Bureau

The apartment next door, perfect for separating work and domestic life.

Chartwell

Winston Churchill purchased his beloved Chartwell in 1922 and lived there until shortly before his death in 1965. As Wikipedia has it:

 In the 1930s, when Churchill was excluded from political office, Chartwell became the centre of his world. At his dining table, he gathered those who could assist his campaign against German re-armament and the British government’s response of appeasement; in his study, he composed speeches and wrote books; in his garden, he built walls, constructed lakes and painted.

When the Churchill’s purchased the property, they had it remodelled adding a three-storey wing with views over the Kent Weald. The property sits on a steep slope, so the  entrance level, ground floor room  of the extension is the middle floor and a large drawing room. Downstairs is the dining room, while upstairs, is Churchill’s large study. There is also a small library in the original house and, of course, books everywhere else.

Image: National Trust
Image: Andrew Munro

Chartwell is a beautiful retreat that still feels like a home. It’s not enormous like stately homes of previous centuries, but it has space to live … and to work.

Dickens London Home

Forty-eight Doughty Street was Charles Dickens’ Bloomsbury home for just 2 1/2 years, but it is beautifully preserved as a Victorian Home. It’s where he wrote  Oliver Twist, Pickwick Papers and Nicholas Nickleby.

If you’re a writer, you need only a quiet, well-lit study.

Image: Andrew Munro

And, possibly space to entertain.

From the merchant palazzos of a city-state to the modest study of a great writer, these homes were all designed to provide a place to work and a place to live.

How will you (re-)model yours?

 

Funky font, serious function – Sans Forgetica

I love this. Researchers  at the Royal Melbourne Institute of Technology (RMIT) in Australia have produced a font designed to aid recall: Sans Forgetica.

I think I’ve wittered many times (mostly on the Burning Pine blog) about  how a little cognitive “friction” can aid learning and recall. The challenge in an commercial writing has been to get clients to accept the idea that hard equals good. The risk-averse always prefer muzak.

However, the science is well described in books like Daniel Kahneman’s Thinking, Fast and Slow, and Carmen Simon’s Impossible to Ignore.

The Times reports

It is designed to boost memory retention by disrupting a person’s usual reading patterns. Reading Sans Forgetica requires extra effort, unlike traditional fonts that many readers are able to scan without creating a “memory trace”.

This process, the font’s creators say, boosts engagement with the words and deepens cognitive processing, adhering to the psychological principle of “desirable difficulty”.

“It should be difficult enough, but not too difficult or too easy,” Janneke Blijlevens, an RMIT lecturer in experimental methods who also worked on the project, said. “There is an optimal level of difficulty to read which leads to the highest memory retention.”

He said that the font was ideal for highlighting important facts that might need to be recalled during an exam, such as dates, historical events and quotes. “You would certainly never set an entire novel in it,” he said. “I like to think of it as blue cheese, it works very well in small portions.”

The researchers recruited 400 students to test a range of memorable fonts and Sans Forgetica was the clear winner subverting the right amount of design rules without becoming completely unreadable. It was then tested alongside a more conventional font in a simulated exam. Students remembered 57 per cent of a section of text in Sans Forgetica, compared with 50 per cent of the text written in Arial.

A font that works like blue cheese. Perfect.

Image: my first play with Sans Forgetica. The lyric is, of course, Warren Zevon’s They Moved the Moon from the Transverse City album. Out of interest, that track features Jerry Garcia on guitar.

Death of the (standalone) camera

We all know it, but still startling to see the data. This from Statista:

To the camera and photo equipment industry, the rise of smartphone photography has had devastating effects. According to CIPA, a Japan-based industry group with members such as Olympus, Canon and Nikon, worldwide camera shipments dropped nearly 80 percent between 2010 and 2017. The steep decline was mainly driven by a drop-off in shipments of digital cameras with built-in lenses, the type that casual photographers used to rely on prior to the rise of smartphone photography.

 

Photo by Alfonso Reyes on Unsplash

On phones, open plan, distractions and focus

The Economist’s Bartleby column on human behaviour in the face  of relentless “on-ness”:

In the face of 24-hour communication, we rebel in our own quiet way. We put personal communication first, and we reply in our own sweet time.

 

Photo by rawpixel on Unsplash