Bach’s music needs to be unlocked; its emotional content, when discovered, is somehow in and of itself, and uniquely musical. Much of it is deeply confessional. By contrast, Romantic music now seemed to create a broader emotional landscape: that of falling in love, spending a night on a bare mountain, suffering in turmoil or throwing oneself off a parapet. Instead of experiencing those things for ourselves, we are given music that stirs and excites the corresponding emotions within us. Thus the refrains of the Romantics are often more accessible, yielding their power more or less immediately. Those of us who prefer the earlier mode might even say this emotional mode became a mere substitute for experience, and that the unique, private experience of music was diminished.
Derren Brown, Happy (p152)
On a separate note, I love the above portrait, borrowed from DerrenBrown.co.uk. It’s so rich. And, I’m not at all jealous of the laddered library, nor of the impressive amp in the background. No, I’m not.
It must be tough building a business whose core products were launched in the 1950s. Fender is best known for its solid-body guitars and electric basses: the Telecaster (1950), the Stratocaster (1954) and the Precision Bass (1951).